I've continued playing the piano entirely on my own time, without pursuing any further formal grades or examinations, choosing instead to immerse myself in the works of composers like Chopin, Tchaikovsky, and Liszt, whose pieces resonate with me on a profound level and challenge both my technical skills and emotional expression. Right now, for instance, I'm deeply engaged in learning Chopin's Étude Op. 25 No. 12 in C minor, commonly known as the "Ocean Étude," which captivates me with its relentless, wave-like arpeggios that demand not only precise fingerwork but also a keen sense of rhythm and interpretive depth, mirroring the ebb and flow of vast, unpredictable forces.

Beyond music, philosophy forms the true foundation of who I am, having drawn me in through the writings of thinkers such as Nietzsche, Schopenhauer, and Jung, whose profound insights have naturally extended my curiosity into fields like psychology, neuroscience, and the intricate study of human behavior, allowing me to explore how emotions and intuition differ so markedly among people, influenced by a complex interplay of genetic factors and environmental conditions that shape our responses to the world around us. Every day, I practice metacognition, stepping back to scrutinize my own thoughts, decisions, and habits, catching blind spots and refining my approach with a clarity that feels like tuning an instrument. This habit shapes my engineering work, pushing me to look past the mechanics of circuits, code, and systems to uncover their deeper purpose, crafting solutions that don’t just function but resonate with the human needs they serve.

In essence, while my background is in engineering, I see myself fundamentally as a philosopher at heart, guided by an unyielding curiosity about the universal laws that govern not only matter and motion, but the will that drives creation, intellect, and the restless ascent of humanity.